|
|
|
Mademoiselle de Lanbesc as Minerva,Arming Her Brother the Comte de Brionne and Directing Him to the Arts of War (mk05) Painting ID:: 20652
|
Jean Marc Nattier Mademoiselle de Lanbesc as Minerva,Arming Her Brother the Comte de Brionne and Directing Him to the Arts of War (mk05) 1732
Canvas 75 1/4 x 62 1/2''(191 x 159 cm)Bequest of Dr Louis La Caze 1869
|
|
|
|
|
|
|
|
The Countess Tessin Wife of the Seedish Ambassador in Paris (mk05) Painting ID:: 20653
|
Jean Marc Nattier The Countess Tessin Wife of the Seedish Ambassador in Paris (mk05) 1741
Canvas 32 x 25 1/2''(81 x 65 cm)Bequeathed in 1895
|
|
|
|
|
|
|
|
Peter I Painting ID:: 28435
|
Jean Marc Nattier Peter I mk60
1717
Oil on canvas
56x43"
|
|
|
|
|
|
|
|
A.B.Kurakin Painting ID:: 28436
|
Jean Marc Nattier A.B.Kurakin mk60
1728
Oil on canvas
51 1/2x43"
|
|
|
|
|
|
|
|
Marie Adelaide of France Represented as Diana Painting ID:: 30611
|
Jean Marc Nattier Marie Adelaide of France Represented as Diana mk68
Oil on canvas
Florence,Uffizi,
1745
France
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Jean Marc Nattier
|
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life. |
Related Artists::. | Theodore Caruelle D Aligny | Aniello Falcone | ASAM, Egid Quirin | |
|